USA BOOKINGS:
alex@arteryglobal.com

EUROPE BOOKINGS:
liam.spencer@arteryglobal.com

OTHER BOOKINGS:
booking@bumblefoot.com


 NEXT APPEARANCE...


APR 28, 2019
Performance w/ Carmine Appice, Tony Franklin, Phil Naro at
Rochester Music Hall Of Fame Awards
Eastman Theatre
Rochester, NY

 


ROYAL AFFAIR TOUR 2019
YES, ASIA, John Lodge Band, Carl Palmer's ELP Legacy (w/ Arthur Brown)

*ASIA ft. Bumblefoot (guitar/vocals), Billy Sherwood (bass), Geoff Downes (keys), Carl Palmer (drums), & guest Steve Howe (guitar)

JUN 12 - Sands Event Center (Bethlehem, PA)
JUN 14 - Long Island Community Hospital Amphitheater (Farmingville, NY)
JUN 15 - Hard Rock Live at Etses Arena (Atlantic City, NJ)
JUN 16 - PNC Bank Arts Center (Holmdel, NJ)
JUN 20 - Westchester County Center (Westchester, NY)
JUN 21 - Stage AE (Pittsburgh, PA)
JUN 22 - MECU Pavilion (Baltimore, MD)
JUN 24 - Budweiser Stage (Toronto, ON, Canada)
JUN 25 - Artpark Amphitheater (Lewiston, NY)
JUN 27 - Bethel Woods Center for the Arts (Bethel, NY)
JUN 29 - Bank of New Hampshire Pavilion (Gifford, NH)
JUN 30 - Bold Point Park (E. Providence, RI)
JUL 3 - Meadow Brook Amphitheatre (Rochester Hills, MI)
JUL 5 - Express Live (Columbus, OH)
JUL 6 - RiverEdge Park (Aurora, IL)
JUL 8 - Opry House (Nashville, TN)
JUL 10 - Koka Booth Amphitheatre (Cary, NC)
JUL 12 - Ruth Eckerd Hall (Clearwater, FL)
JUL 13 - Seminole Hard Rock Hotel & Casino (Hollywood, FL)
JUL 18 - St. Augustine Amphitheatre (St. Augustine, FL)
JUL 20 - Toyota Music Factory (Irving, TX)
JUL 21 - Walmart Amphitheater (Rogers, AR)
JUL 24 - Comerica Theatre (Phoenix, AZ)
JUL 26 - Hard Rock Casino (Las Vegas, NV)
JUL 27 - Fivepoint Amphitheatre (Irvine, CA)
JUL 28 - The Mountain Winery (Saratoga, CA)

*More shows to be announced

  



CLICK FOR PAST TOUR DATES

THE ARTIST

By age 10 and 11 I was doing alot of cover gigs doing Rush, the Rolling Stones, Ramones, Pink Floyd, the Cars, Billy Joel - needed a good guitar. This was my first good guitar - an Ibanez Artist AR50BK. Bought it on my 11th birthday, September 25th, 1980.


(pic taken Aug 14th, 1981)

I was into guitarists like Ace Frehley and Angus Young. Then I turned 12 and had heard Eddie Van Halen for the first time. It was the first time I heard anything that required a vibrato bar - that was the only thing missing from this guitar. I'd compensate by doing shit with the tuning pegs - for the deep bends in Eruption, I'd detune the low-E string and then tune it back up, stuff like that. That shit wasn't gonna cut it - I needed a bar.

I found a company that made something called a " Bowen Handle" (photo on right) - it was a vibrato bar that attached in place of the tailpiece (made for Gibson-type setups - separate bridge and tailpiece) I put it on but it wasn't very effective. (This led to me getting my next guitar, a Fender Stratocaster...)

Eventually I put a Floyd Rose vibrato bar on there around '88. I chipped off the paint and sanded down the body to the bare wood. Then I took a half-inch wood chisel and started scraping shapes into the body. I took whatever happened during the time I was scraping the body and carved it into the wood. Watching Star Trek, hanging with nekkid girls, giving someone the Awol album (my old band's album...) I was working on the Pensive Expenguin guitar around this time and carved a penguin into the body. I was doing some painting and carved an artist into the body. I cut off my armpit hair and used it for the facial hair on the artist's face - polyurethaned it on there.

The hippie-looking guy on the top left was a self-portrait. The babies represented vulnerable parts of yourself. The angel baby was next to the self-portrait to connect the peace and comfort I felt when I was by myself. Also nearby were the penguin (representing building guitars, something that gave me a positive purpose), and Spock (representing watching old Star Trek's - something that entertained me as opposed to always having to be the one who entertains others...) The angel baby was centered between the smiling self-portrait and the emotionless Spock, with guitar-stuff above to keep me balanced.

Directly under the guitar-strings was the other part of me - the baby in the guillotine. The one who entertained, and was at the front line of being judged and punished by how people see you. When people judge, they're taking what they feel they're lacking in themselves, embodying it all as you, and then attack the object. It's always some weak self-pity shit where they self-project the worst traits they have. Fuck 'em. Two ways to go from there - to the right, where there were a bunch of fingerprints representing the true identity, the real you. Or to the left - the devil baby. Why a baby? Humility. I was 18 and in the baby stages of finding who I was, trying not to be scarred by obstacles.

BACK

 






Bumblefoot on the Web

bandcamp
spotify
itunes
Merch store
instagram
facebook
twitter
youtube
reverbnation