HARD & HEAVY (Italy)
Interview by Fabrizio Chiruzzi - SEPT 2002
Hi Ron, it's a pleasure to interview a so rare and
bizarre guitarist. How did you develop your approach to the guitar and how
is it possible to define both your musical genre and your guitarist one?
Hi Fabrizio - thank you for the opportunity to talk to guitarists of
Italy. I grew up listening to alot of bands, not really alot of
guitarists. I was into lots of metal bands, but also progressive 70s
bands and the Beatles. Hearing Eddie Van Halen made me more interested
in exploring the possibilities on guitar. I would define my musical
genre as "guitar-oriented, experimental hard rock" if I had to label
it as something. My guitarist genre? hmmmm... I guess also
"experimental."
In these last years, a lot of guitar players like Steve Vai have make the
choice to explore a field of guitar technique oriented to the sound modulation
with an elastic sound. Because I consider you similar to his way
playing or with guys like D. Zappa, M. Eklundh and Joboj, I ask you: which are
your targets? Why guys like you play in a so different way? What are you
searching for?
I don't make a conscious choice to play a certain way - I just play in a way
that I'm comfortable with. I'm just expressing myself in a way that
feels correct. From the times I've spoken with Dweezil, Mattias and
Joboj, I can say that they all have a good sense of humor, a sometimes
abstract
view of things, and an intensity to their emotions. I think this is the
same about their music, and they really play according to who they are.
The remarkable Mattias Eklundh's contribution on
the track "Don Pardo Pimpwagon", how does your collaboration was
born together; also with Dweezil Zappa?
Mattias and I are email friends for years, and Dweezil and I have spoken on
the phone a few times. I just asked them :) I
had also asked John Petrucci and Vernon Reid if they'd like to play on the CD,
but they were too busy with their tour schedules. Maybe next time
:)
Sound effects are cool inside the tracks, are you
more oriented to the use of computer or do you prefer the classical physical
approach to the machines?
I don't use alot of effects other than a wah pedal, and sometimes a Line6 FM4
for strange ring-modulator sounds... any other sound comes from
the actual playing...
What's the secret to get a very "elastic" sound like yours? What kind of gear do you usually use?
I use Vigier guitars (and fretless guitars...) and Line6 Vetta amp, set
to a JCM800 type of sound. I love the fretless guitar, specifically the
Vigier for the metal neck. There's so much freedom on the fretless...
I don't use a whammy pedal or pitch shifter
- I get all the high notes naturally without FX, with false harmonics or
tapping high notes past the fretboard.
How did you mind this contrast between a typical
rap-core/crossover riffing and a fusion jazz oriented phrasing?
I like alot of styles of music - reggae, rap, metal, jazz, funk, punk, Latin,
even lounge music - and it all bleeds into my songs. I don't
intentionally combine things with a plan - I mean, I don't sit at a table with
pen and paper and say "I'm going to make a hardcore verse, with a Latin
chorus, and a disco break in the middle..." I just go by a feeling,
and focus on the feeling, without worrying about what style it is, and if the
styles will match. Anything can work with anything - it's all the same
notes, yes?
Your compositional fire is highly shown up in
Queen-a-like "Legend Of Van Cleef." What's your composing method and why this track is totally out in comparison with songs as "Fly
In the Batter" or "Raygun"?
Music is art, and there shouldn't be any rules beyond our own personal
rules. I don't expect to ever make money from music or be famous,
so I don't write for any reason other than the art. I don't care about
being commercially typical, or doing what is expected. But I don't
purposely do the opposite either, trying to *not* be commercial - I just do
what I like. And if other people like it too, that's cool.
One of the most representative track is
"Guitars Suck", a thrilling example of warp speed neoclassical, another turning point inside this project, the desire to astonish is
certainly remarkable, isn't it?
That song was written in '98 - I was going to do clinics in Holland and felt
like I needed a song that was technique oriented. I didn't record it for
3 years - every time I played it, the feel was slightly different and didn't
want to commit to one defining version of it.
What's your approach to composition? Do you
prefer writing or improvising?
I prefer to improvise solos - the real you comes out in spontaneous
moments. Songs grow in my head, and when they're ready I play
them. I don't write songs on paper. I prefer to hear the songs
first in my head, before playing them - if I like what I hear, I'll record
them.
Projects under construction? Imminent dates? Didactical videos?
I just bought an old house in Princeton NJ that I will be using as a
studio. I won't live there, it will be a place to do music, nothing
else. This way when I produce artists, they can stay there and
keep constant momentum. I'm producing the metal band Evoken there soon,
and a Latin pop artist named Troy Kurtis. I'll be touring France in
November (the tour dates are on www.bumblefoot.com) Hopefully next year I'll
be able to start on some ChopsFromHell instructional videos...
Thanks for your availability, I hope to see you
soon here in Italy for some concerts maybe for a jam together.
Thank you :) Take care!
BfoOt